Enhancing your own visual literacy will enhance your ongoing education. You may not be enrolled currently in a course or a degree program, but if you want to improve at your job—and anyone these days who wants to keep their job wants to improve at it—you will be interested in your own on-going education. In any case, if you love life you will likely be motivated to pursue on-going education, as studying various aspects of life is a great way to experience a love of life. You’ll want to be part of a learning community to increase the brilliancy of yourself and your team at work, whether you are employed for pay or as a student, including (but not limited to) settings in a college or university.
Considering the impact of increased visual literacy, for example enhancing the visual literacy of children will shift the way they learn and add a dimension to their perception. This aspect of education has huge implications for individuals, groups, and society as a whole and I will continue to explore these in this blog. There are resources to help with this method of education.
Today I am focusing on the strengthening of verbal and descriptive skills that comes with this deepening of visual perception. And we will notice that in turn, with the enhancement of descriptive skills, we see more deeply, more perceptively. This leads to a spiraling in the increased development of verbal and visual skills.
The two forms of literacy—visual and verbal—enhance one another.
Apart from the evident relationship of this topic to multiple intelligence theory, the point of this blog is how useful it can be to a sighted person (someone who is not blind) to deepen their visual perception skills. This goes for people whose multiple intelligence strengths are chiefly in visual learning and whose strengths are lie chiefly in areas of intelligence other than visual.
So, how do we go about learning to see more perceptively in this way? There are several ways. Let’s explore one: interviewing about what we see.
In strengthening the verbal and visual-conceptual “muscles,” greater and sharper visual perception will come, and along with it the sharpening of the use of descriptive language. I invite you to look at this painting. When you look at this painting please respond to the questions below. You can enter your answers here, below in a comment box if you wish, or just answer for yourself, privately. Try looking at the painting while doing nothing else (in other words, just looking and not multitasking) and respond to the questions as you do. The questions may draw you in to the painting further. Look at the painting and ask yourself these questions:
What do you see?
What did you notice first?
What would you say is happening here in the picture? What time of day is it?
What is the mood of the picture?
Do you see the small illumined bit of a neighbor’s house in the distance? Why do you think it is included in the painting?
What do you notice about the light in this picture?
In some senses there are no “wrong” answers because this is not so much an art history lesson but a chance to develop greater visual perception. If you repeat this process with other works, and particularly join others who will give their impressions you will find that you enhance one another’s development of these visual skills. For example, others who respond to the questions on the painting will cause you to notice new things and will likely prompt you to even see the painting differently than you did at first.
And it is very important that you go and see the actual objects or painting that you will observe. Just now, of course because we are online, we are looking at a photographic reproduction. Photographic reproductions just cannot pick up all the subtleties of works of art and do not carry the same visual impact as the actual item. You might try going to see a painting in a gallery or museum and asking yourself these questions above and try it with a few paintings, taking your time with each one. This exercise would be greatly improved by your conducting it with a small group all looking at and responding to the same work of art. Hearing what others notice and perceive can be a valuable way of learning. What are you looking at?

